CHILD FLAUTIST

UV light exposing recent restorations
Restorations invisible under florescents

This moulded hardpaste porcelain was made in 1755 Saxony (now Germany) and later restored. What interests me about this object is the restorations and how they are visible under the UV light showing the difference between modern and historical materials that would have otherwise gone unnoticed. I would like to experiment with this in my own work and research further into why the old materials don’t react to UV light and how to harness this.

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